Raven leilani books5/18/2023 I know some readers will love and have loved this kind of writing, but I've sadly never been one of them. The moment I left Clay's house, my vagina was a cunt. When I imagine it, she is indifferent, her vagina defying all etymology, not a pussy or a twat but an abstract violence, like a Rorschach or a xenomorph. Of course, in motion, when she turns and stoops to open the oven, the geometry is weirder. She is, I suppose, sexy in the way a triangle can be sexy, the clean pivot from point A to B to C, her body and face breaking no rules, following each other in a way that is logical and curt. Things like this just read awkwardly to me: Lots of horrible things happen, but the writing kept me feeling disconnected from the story being told. Edie narrates like she's trying oh so very hard for her Creative Writing 101 class, dragging out a metaphor here and there but failing to add any real emotional pull. Some people have been favorably comparing this to Queenie, even going so far as to claim it is a better-written version, but this is really not my idea of good writing. The book is a very cold, detached account of a young woman's relationship with an older man and his wife. Luster seems to be getting rave reviews across the board, but I found the "beautiful" and "evocative" writing actually quite painful to read.
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